I believe I’ve mentioned before how much I love X-Files. And I’ve liked my share of vampires—Buffy the Vampire Slayer, True Blood. But it’s surprised me a little that both in press interviews and in Q&A sessions on tour, the issue of my own belief in the paranormal has come up several times. Do I believe in ghosts? Have I seen a ghost? What are my own personal experiences with the paranormal?

On a somewhat related note, one of my favorite negative reviews of the book gripes that a real archaeologist with a solid academic background would never rely on ghosts to guide her fieldwork. Um, no. Probably not. I do not recommend this book as a textbook.

I like magical realism. Gabriel Garcia Marquez, Toni Morrison. I love the idea that there is a magic in the everyday, and I like it when fiction blends two worlds—the real and the fantastic.

 That said, I have not seen a ghost. I believe we all have our own ghosts, that we all carry some people with us, but I don’t tend to think those ghosts appear as shadowy entities. I haven’t really had experiences with the paranormal, and I think that probably disappoints potential readers who like Ghost Hunters and other shows where you try to catch a ghost. (Catching a ghost would be cool—no question.)

Ren’s world is not quite our world, and in some ways I’m glad of that. I’d prefer not to have dead artists sitting cross-legged on my kitchen floor. For one thing, any ghost would constantly be tripping over all the dog bones and baby toys strewn around.

Back Home

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The book tour is now wrapped up—we made our last stops,MemphisandOxford, last week. Ahhh. It’s nice to be home. Both stops were satisfying, though, with the added benefits of excellent food and a visit to Faulkner’s home inOxford.

 Twice now, I’ve had people tell me their own stories of death and loss at book-signings. One woman in Woodstock talked about her husband dying when their youngest child was four-years-old, and how a taped interview by a neighborhood high school student was the only recording they had of his voice. A woman in Memphis said her son was killed by a drunk driver, and—needing to get away somewhere, anywhere—she took a position on an archaeology dig in South America. Both times I nearly cried. I’m not sure why, although I think there’s some sort of uncomfortable contrast between the self-conscious, self-promoting vibe of book-signings (Hey, buy my book!) versus real grief and love and loss.

 I don’t think there’s such a wide gap between fiction itself and real emotion. I think that’s what every writer desperately hopes for—that in this imagined world you’ve created (and granted, it’s an imagined world well-stocked with your own experiences and emotions, even if they’re disguised), you’ve managed to tap into your reader’s life, into their minds and their secret thoughts. There’s something really humbling about the idea that a character you’ve created, a story you’ve created, can tap into the worst experience of someone’s life. It’s very intimate. It feels, I guess, like that kind of connection deserves more of a moment than a few seconds standing in line a book-signing.

USA Today

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Hoping to get in a little site maintenance at the end of the week, but here’s the review from USA Today from last week.

Sometime soon I’m going to explain about ghosts talking in 21st century English.

Now we’re back home from, Woodstock, Ga., (where six-month-old babies are extremely popular), Asheville, Charlotte, and Atlanta. Whew. All that’s left are Memphis and Oxford this week.

Just for fun, let me see if I can name all the food we ate and drank in Asheville, which is a rockin’  town, especially for food: sweet potato and black bean cakes, mead, yucca, cuban coffee, beignets, cafe au lait, lots of Himalayan appetizers, crepes…I can’t remember the rest. But food is a major benefit of book tours.

In Charlotte I visited a 24-hour bakery with my sister-in-law. I had a donut the size of my baby’s head in Woodstock. I’ll stop talking about food now.

The baby seems very bored by readings. I don’t think he cares for the novel at all. He prefers a piece of tin foil.

I’m finding it impossible to think any deep thoughts right now. I think the travel has slowly been draining my brain–I have a perpetual fear that I’ll forget the names of the characters in the book. Like someone will ask about Paul and I’ll have to say, “Who’s Paul again?” More minor fears include that I’ll mispronounce a word while reading, that I’ll see someone I know at a reading and not recognize them at all, and that I’ll have some sort of wardrobe malfunction.

Or that only one person will show up for a reading. One person is worse than no people because then you still have to go through the motions instead of just leaving early and watching TV in the hotel room.

So we’re back home for a few days after readings/signings in Alabama and Mississippi–Birmingham, Montgomery, Fairhope, Jackson, and Greenwood. This Saturday we head to Woodstock, Ga.; Asheville, NC; Charlotte, NC; and Atlanta.

The baby did as well as we could possibly hope for on the trip, and we had a few wonderful surprises. Our friend in Jackson introduced us to the Mississippi Delta tamale, and, in fact, an official trail of tamales. They’re made with corn meal instead of corn flour (like the Mexican/southwestern variety), and they’re simmered not steamed. We had, I think, 32 tamales total by the end of our Mississippi trip. Check out the full route here at the Tamale Trail site.

And, as far as other happy details, I had the best meatloaf I’ve ever had in Fairhope at the Camelia Cafe, a great musical intro in Jackson, and a fireplace and Jacuzzi tub  in Greenwood. The baby had his first jacuzzi experience–don’t worry, it wasn’t too hot–and got so relaxed he conked out on my shoulder right in the tub.

Also a few cool reviews: Oprah.com named Come in and Cover Me their book of the week. Bust magazine has a lovely review, but I’m not sure I’m allowed to post it yet. The AP ran a review, and there are reviews to come by the Washington Post and Parade magazine.

But maybe my favorite response so far has been a friend in Montgomery who said she went through several phases with the book, the first of which was, “Why does she keep misspelling ‘shard’?”

That’ll make more sense if you’ve read the book.

Pub Day!

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So it is now the official release day for Come in and Cover Me. I just got back from an interview for our local ABC station. I’m getting a little concerned because at each interview lately–I did local NPR yesterday–as I’m waiting to go on-air, I inevitably start humming a really inappropriate song from Book of Mormon. (I mean, they’re all inappropriate. )

A  Birmingham News article is worth reading because of a great misquote. The article says Silas has echoes of my husband, for instance, that he has “great and ridiculous sweet-talking skills.” I said SLEEP talking skills. His sweet-talking skills are irrelevant, and, frankly, something I would never discuss in public.

Also, maybe my favorite review so far is in Ploughshares. The reviewer pulls out a quote I really like, and it’s the only review to mention that the book is actually funny in places. Which it is. For some reason when you write about babies down wells and dead older brothers and love and loss, etc., people don’t think you have a sense of humor. Huh.

Tonight’s the first reading/signing–7 p.m. at the Barnes & Noble at the Summit in Birmingham. Then we head tomorrow to Montgomery for the signing at Capitol Book & News. It’s the start of about two weeks of straight travel for me and the family. It could be a great trip, or, depending on how the baby sleeps in hotel rooms, it could be the longest book tour in the history of books.

Lovely Review

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Yesterday the January issue of Elle magazine hit the stands, and it has a review of Come in and Cover Me written by the lovely Kate Christensen. (If you haven’t read The Great Man and The Epicure’s Lament, you should get them for the holidays.) It’s an awfully nice review…so much more fun to read than the not-so-nice reviews.

But the reviews in general–from magazinesand newspapers to Amazon and goodreads–are starting to trickle out. I once heard an author say he’d never read a single review of his book. I admire that. I can’t stick with it, though. It’s too tempting. I have promised myself I will not read any Amazon/goodreads reviews this time–they cause too much of an urge to argue, and, face it, I can’t possibly track down those people to argue with them. It doesn’t really hurt my feelings if someone dislikes the book, but I do often think something like, “Wait, what do you mean Ren wasn’t that close to her brother? I explain that clearly on page blah blah blah…” Not helpful.

Mostly, reviews remind me how subjective books are.  One person says Silas is a hunk and too good for Ren, and the next person says they don’t understand why he’s appealing. One person says the ghosts don’t work for them, and the next person says they want more ghosts.  One person says the book is haunting and lyrical, and the next says it moves too slow.

This is my new idea: I wish there were a book Web site where people rated books, BUT they also entered their favorite ten authors. Then, when looking at a book, you could see an overall star rating, but you could also ask to see a rating based on people who share at least, say, two of your favorite authors. Or five of your favorite authors. The ratings would mean so much more then. You’d know that the rating wasn’t being brought down by someone who picked up The Road hoping it would be The Stand.

And I admit it, I’m in favor of any system that gives me more stars. Can’t get enough of ‘em.

So we’ve pretty much got my book tour set for January and early February…please come out and see me! There’s nothing worse than talking to a bunch of empty chairs.

Tour Events List

COME IN AND COVER ME

 

Birmingham, AL
Thursday, January 12 – 7:00 PM
Barnes & Noble at theSummitShopping Center
201 Summit Boulevard, Suite 100          
Birmingham,AL35243

Format: Talk, Q&A & Signing

 Montgomery, AL
Friday, January 13 – 4:00 PM
Capitol Book & News Company
1140 E. Fairview Avenue
Montgomery,AL36106

Format: Reception & Signing

 Fairhope, AL
Tuesday, January 17 – 12:00 PM to 2:00 PM
Page & Palette
32 South Section Street

Format: Luncheon with short author talk, Q&A & Signing.

Note: Event will be off-site at restaurant venue TBA. This event is ticketed, tickets cost $10 + one copy of the new book.

 Jackson, MS
Wednesday, January 18 – 5:00 PM
Lemuria Books
4465 I-55 N

Format: Talk, Q&A & Signing

 

Greenwood, MS
Thursday, January 19 – 5:30 PM
304 Howard Street

Format: Talk, Q&A & Signing

 Woodstock, GA
Saturday, January 28 – 1:00 PM
FoxTale Book Shoppe
105 E Main Street #138

Format: Talk, Q&A & Signing

 

 Asheville, NC

Sunday, January 29 – 3:00 PM

Malaprop’s Bookstore

55 Haywood St

Format: Talk, Q&A & Signing

 

Charlotte, NC

Monday, January 30 – 7:00 PM

Park RoadBooks

4139 Park Road

Format: Talk, Q&A & Signing

 

Atlanta, GA

Tuesday, January 31 – 6:30 PM

A Cappella Books in partnership with Savannah College of Art and Design

Ivy Hall

179 Ponce de Leon Ave.N.E

Format: Talk, Q&A & Signing

 

Memphis, TN

Tuesday, February 7 – 6:00 PM

The Booksellers at Laurelwood

387 Perkins RoadExtended

Format: Talk, Q&A & Signing

 

Oxford, MS

Thursday, February 9 – 6:00 PM

Square Books

160 Courthouse Square

Format: Talk, Q&A & Signing

Looking ahead to Thanksgiving, I thought of this essay I wrote for Southern Living a few years ago. They cut it down to about half this length, but I still like the whole thing. And I think I may try to make a strawberry pie this week.

Unsolved Recipes

By Gin Phillips

 I loved my grandmother’s strawberry pie. My senior year in college, it was the first of her recipes that I requested, the first I copied down and practiced relentlessly. For about three months, I was a whirlwind of strawberry and Cool Whip, depositing pies in dorm rooms across campus. I didn’t eat much myself, which I considered a blessing at the time since I’d been afraid endless pies would lead to endless pounds.

 Her yeast rolls took me longer-the ‘don’t kill the yeast’ warning took a while to register-but I finally got the hang of them. And after I made them for a few dinners, I lost my taste for them. The same thing happened with spaghetti and chocolate pie.

 It took me at least a dozen tries to get my great-aunt’s baked apple pies to taste like I knew they should-it was the crust that eluded me. Finally, through some crucial meeting of humidity, shortening and luck, the crust was thin and soft and salty-sweet. There was something sad about its perfection.

 The mystery was gone.

 Learning my family’s recipes wasn’t like finding out the truth about Santa Claus-I mean, chocolate pie definitely did exist. But the mystical, wondrous, pull-a-rabbit-out-of-a-hat secret of it all had disappeared. My favorite foods had been reduced to half-cups and teaspoonfuls and baking for 20 minutes at 350 degrees. No wands. No fairy dust. Just cold hard numbers and step-by-step instructions. As I learned the process, those once-perfect bites lost their power over me.

It was like how as a kid staring up at the sky, the clouds seemed so clearly like cotton candy, undoubtedly sweet and crunchy-soft on my tongue. And if I could get up there, in a plane with open windows, I could gulp down big mouthfuls of them until my face was sticky with them. Then you learn in school that clouds are actually just condensation, water or ice suspended in the air, and that if they taste like anything, they’ll taste like water. Plus they keep plane windows shut.

 Sometimes facts are disappointing.

 Sometimes still, if I really, really love a dish, I’ll make sure not to overhear the recipe for it.

 Yet as I’ve gotten older, I’ve realized that I only solved the first layer of the mystery when I copied down those recipes. Eventually I learned them so well that I didn’t need a piece of paper, that I barely needed a measuring cup and I could judge the right consistency of dough by the feel of it against my fingertips. The measurements and index cards fell away, and there were layers and layers under them that I hadn’t been able to see for all the neatly written directions. These foods, passed down over the years, weren’t something I could know and check off a list. With the lists out of the way, though, I could start to feel the past that was folded into the batter.

Cooking my grandmothers’ best Sunday dinners or my father’s favorite ham and biscuits isn’t just about what winds up on the plate. The food itself may be routine now, but there is another fascination to standing at the kitchen counter, struggling to beat cornbread into smooth, fluffy submission. (“Beat it and beat it and when you’re sure it’s beaten enough, beat it some more,” say my grandmother and her sister, quoting my great-grandmother.) I’m not alone as I’m making the cornbread.

I hear my grandmother’s voice in my head, my hands where hers were–holding the bowl in the crook of my elbow and mixing for dear life–during the Great Depression and every decade since. And before that, around the time Teddy Roosevelt was leaving the White House, my great-grandmother, still in grammar school, was staring down at a similar bowl, the same muscles in her arm hurting, learning these lessons for herself.

  The food may have lost its mystery, but the women who came before me, they are their own mysteries. And as I lean over the stove or measure out cinnamon, those women are in my head, and I am in theirs. The process, the ritual of the food, connects me to them. The recipes unlock something of them, something of their lives and their thoughts, and bring them to me, chattering and tasting and smiling, right there in my kitchen.

 And that’s the magic of it.

 

I was on my way out of Walmart the other day when the cashier asked me what I did for a living. (I was buying notebooks, so she thought I might be a teacher.) The conversation followed the pretty predictable pattern it follows whenever someone asks me what I do: I say I’m a writer. She asks what I write. I say books. She asks what kind. I say novels.

And here is the part where I start to really suck. The next question is usually, “What kind of novels?” or “ What are your books about?” And I am apparently constitutionally incapable of summarizing my books well. I feel like if I give too much detail, it sounds like I’m giving a sales pitch, so I usually try to be as brief as possible. I also usually assume the average questioner is more interested in John Grisham or Sue Grafton than in literary fiction. So my answer to the cashier went something like this: “My first book was set in north Alabama in a coal mining town in the 1930s. It’s about what happens to a family after the daughter sees a baby thrown down a well.”

True. Not totally compelling, but true. On a side note, one reason I started being more efficient in my description was that years ago, before the book came out, I went out on a first date with a guy who asked what I wrote. I gave a thorough description of The Well and the Mine, including socioeconomic issues and racial themes and felt like I’d really conveyed what drew me to the story. When I finished he said, “That’s interesting. So how do you make someone read a book like that?”

That was our only date. But it’s still my favorite question anyone’s asked about my writing.

Anyway, back to Walmart. So I give my usual description, expecting the cashier to smile blankly and hand me my receipt. (I also suspect that only 1 out of 100 people who ask me what my book is about actually have any interest in what my book is about. Yet another reason to be brief.) But she says, “Oh, the death of a baby. That’s the same thing Maxine Hong Kingston did in Woman Warrior.”

And that, for the record, is the best moment I’ve ever had in Walmart. She stunned me. I read Woman Warrior in a Contemporary Fiction class in college. Maybe she did, too. But from now on, I’ll be prepared for more serious literary discussions from megastore cashiers.